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  • Cristina. I am 26, a photography lover, book eater and human being. Flickr Facebook

    A Tumblr about: braids - books - legs - more books - photography - Sylvia Plath - trees - fall - coffee - pretty food - decor - Alain Delon - Anna Karina- Ben Whishaw - Keira Knightley - - Eva Green - Audrey Tautou - Louis Garrel - James McAvoy - Le fabuleux destin d'Amélie Poulain- The Rocky Horror Picture Show - Bright Star - Marie Antoinette - New York City - Berlin - London - Paris
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glaykisdolcevita:

Here’s our first look at Keira Knightley’s upcoming Chanel “Coco Mademoiselle” campaign that apparently will debut on March 23rd announced by the French luxury brand.
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Mr. Darcy: Miss Elizabeth. I have struggled in vain and I can bear it no longer. These past few months have been a torment. I came to Rosings with the single object of seeing you. I had to see you. I have fought against my better judgment, my family’s expectations, the inferiority of your birth, my rank and circumstance. All these things I am willing to put aside and ask you to end my agony. 
Elizabeth Bennet: I don’t understand.
Mr. Darcy: I love you. Most ardently. Please do me the honour of accepting my hand.
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I can’t get rid of books. It’s almost like having your thoughts [around you]. I want to be able to hold it. I want to be able to see where the pages have been turned down. I grew up in a house full of books. Wall to wall. I remember when I moved out of home, that was the big thing I couldn’t handle: there weren’t any books. Every inch of my mum’s house is covered in them and not having any was like, ‘This is really weird. This is such a sterile space without any stories in it.’

— Keira Knightley, Elle UK, 2011 March (via wandering-eyes)
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pemberley-state-of-mind:

Lizzy: Men are either eaten up with arrogance or stupidity. If they are amiable, they have no minds of their own. 
Mrs. Gardiner: Take care, my love. That savours strongly of bitterness. 

“I believe that when people do period films they are reliant on paintings from the period, because there is no photography. But in a painting, everything is formally composed; it’s not real life. Then they do wide shots to show off the period detail of the sets. I think that the detail is in the small things, like crumbs on a table, or flowers in a vase. Austen’s prose gave me many visual references for the people in the story, so I used a lot of close-ups of them, too”.
(Joe Wright, Director)
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